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8 January 1836 – 25 June 1912. Most renowned painters.

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PIAZZETTA, Giovanni Battista
Elijah Taken up in a Chariot of Fire

ID: 19875

PIAZZETTA, Giovanni Battista Elijah Taken up in a Chariot of Fire
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PIAZZETTA, Giovanni Battista Elijah Taken up in a Chariot of Fire


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PIAZZETTA, Giovanni Battista

Italian Rococo Era Painter, ca.1683-1754  Related Paintings of PIAZZETTA, Giovanni Battista :. | The Guardian Angel with Sts Anthony of Padua and Gaetano Thiene af | Beggar Boy | St James Brought to Martyrdom kkjh | Maryrdom of St.James the Great | The Immaculate one |
Related Artists:
Erskine Nicol
British Genre Painter , (1825-1904) was an Irish/Scottish painter. A student of William Allan, Nicol taught in Dublin, Ireland, from 1845-50, at the height of the Irish famine, and considered himself as much Irish as he was Scottish. Much of his work portrays the injustices inflicted upon the Irish population during the 19th century. He was made an Associate of the Royal Scottish Academy in 1855 and an Academician in 1859. Nicol exhibited at the Royal Academy and was made an Associate of the Royal Academy in 1866
Albert Goodwin,RWS
1845-1932 English painter. During the early 1860s Goodwin studied with Arthur Hughes and Ford Madox Brown, who predicted that his pupil would become 'one of the greatest landscape painters of the age'. Hughes and Brown impressed on Goodwin the Pre-Raphaelite principles of high finish, vivid colour and working directly from nature that inform his early landscape style
Johann Barthold Jongkind
1819-1891 Dutch Johann Barthold Jongkind Gallery was a Dutch painter and printmaker regarded as a forerunner of Impressionism who influenced Claude Monet. Jongkind was born in the town of Lattrop in the Overijssel province of the Netherlands near the border with Germany. Trained at the art academy in The Hague, in 1846 he moved to the Montmartre quarter of Paris, France where he studied under Eugene Isabey and Francois-Edouard Picot. Two years later, the Paris Salon accepted his work for its exhibition, and he received acclaim from critic Charles Baudelaire and later on from Emile Zola. Jongkind was to experience little success, however, and he suffered bouts of depression complicated by alcoholism. Jongkind returned to live in Rotterdam in 1855, and remained there until 1860. Back in Paris, in 1861 he rented a studio on the rue de Chevreuse in Montparnasse where some of his paintings began to show glimpses of the Impressionist style to come. In 1862 he befriended the young Claude Monet who later referred to Jongkind as the "master." The following year Jongkind exhibited at the first Salon des Refus??s. Despite several successes, in another of his down periods the Impressionist group did not accept his work for their first exhibition in 1874. In 1878 with his wife, painter of nude people Josephine Fesser, Jongkind moved to live in the small town of La Cote-Saint-Andre near Grenoble in the Isere departement in the southeast of France where he died in 1891. He is buried there in the local cemetery.






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